Ardhanārīśvara
Śiva and Pārvatī as one body, divided down the middle. Consciousness and energy, never truly separate.
Also called: Ardhanārīnara · Ardhanārīśa · Ammaiyappar (Tamil)
How to recognise him
Point to (or tap) a line to see it in the picture.
What the form teaches
Ardhanārīśvara is Śiva as a single figure who is half man and half woman: the right side his, with matted hair, ash and trident; the left side Pārvatī's, with jewels, a rounded form and a mirror or lotus. It is not two people standing close together. It is one being, and the line down the middle joins as much as it divides.
The Śiva Purāṇa tells how this form appeared. Brahmā had made many beings with his mind, but creation would not grow on its own, because the feminine had not yet come forth from Śiva. Brahmā turned to tapas, meditating on Śiva united with his supreme Śakti, and Śiva came to him as Ardhanārīnara — half woman, half man. Then, from the left side of that body, he set the Goddess apart, and at Brahmā's prayer she gave the power by which beings are born of mothers and fathers, and agreed to be born as Dakṣa's daughter. The Purāṇa tells this twice, once through Nandīśvara and once through Vāyu.
Tradition reads in this form the deepest teaching of Śaiva thought: Śiva and Śakti are not two. Śiva is consciousness, still and pure; Śakti is the power that moves, creates and delights. Consciousness without power cannot act; power without consciousness has nothing to be. Every pair the world is made of — stillness and motion, knowing and doing, giver and receiver — is held together in this one figure.
The form also speaks of each person. Every human being carries both halves — strength and tenderness, discipline and beauty, the fierce and the gentle — and wholeness comes from honouring both rather than denying either. In the story, it is precisely when the feminine is given her own place that life begins to flourish.
Devotees approach Ardhanārīśvara as the divine couple in a single image, and as the example of a true partnership in which neither is less. The form is invoked for harmony in marriage and family, and in hymns where Śiva and Pārvatī are praised together, as the parents of the world.
Stories of this form
Where to see him
- Elephanta CavesGharapuri island, near Mumbai, Maharashtra
A great Ardhanārīśvara relief in the main cave, beside the three-faced Maheśa.
- Arthanareeswarar TempleTiruchengode, Tamil Nadu
A hill temple where Ardhanārīśvara is the presiding deity.
- Badami cave templesBadami, Karnataka
An early Chalukya relief of Ardhanārīśvara in the Śaiva cave (Cave 1).
Sources
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The original passage for this reference has not yet been added here. Use the location and edition above; the story is our retelling.
The central Purāṇa of Śiva, in seven saṃhitās: Vidyeśvara, Rudra (in five khaṇḍas), Śatarudra, Koṭirudra, Umā, Kailāsa and Vāyavīya. Chapter numbers vary between editions; all our references follow the Gita Press Kalyāṇ Śivamahāpurāṇāṅka.
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The original passage for this reference has not yet been added here. Use the location and edition above; the story is our retelling.
The central Purāṇa of Śiva, in seven saṃhitās: Vidyeśvara, Rudra (in five khaṇḍas), Śatarudra, Koṭirudra, Umā, Kailāsa and Vāyavīya. Chapter numbers vary between editions; all our references follow the Gita Press Kalyāṇ Śivamahāpurāṇāṅka.
View in the source library →located
Explore this source
The original passage for this reference has not yet been added here. Use the location and edition above; the story is our retelling.
tradition
Explore this source
The original passage for this reference has not yet been added here. Use the location and edition above; the story is our retelling.
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